13 Sep

Poetry – “Oranges” by Susan Jensen Sweeting

Oranges
by Susan Jensen Sweeting

I remember sitting with the girls at the store, waiting, waiting
like so much fresh fish
for the customers of the day to bring their demands.
The girls would sit
relaxed and non-chalant
leaning on one hip
right knee slung over left
arms crossed at the elbows.
They would lounge so
not unlike splendid iguanas
basking on rocks,
their slow lazy speech
recounting buoyant weekends.
Even their most mundane pursuits sounded animated

I remember that among us I was the thorn,
plain and unadorned in my
utilitarian khakis and sensible shoes.
No coordinated pantsuit or dress for me.
I stood out in my ordinariness
The simple patch of green grass
amidst the plots of roses and tulips
colorful
redolent
dazzling.

I remember those roses of women
each a finely groomed example
coiffed hair
gold earrings and contact lenses
painted lips and ropes of gold,
silk floral prints, pleated trousers,
strappy sandals
manicured toes
complete with decorative falsie on the big one.
Outer trappings said nothing of the insides.

I remember the nails.
Long claws attached with super glue
sanded to perfection
artfully painted with intricate fluorescent
hieroglyphics.

I remember the nails rendering the hands useless,
disempowering their hosts to peel an orange.
Dolefully, the girls would eye the orange,
juicy, inviting
hopeless on the counter.
Their vanity overpowering their longing perhaps.

I remember peeling oranges so the disempowered hosts could eat.
My unencumbered fingers tearing skin from delicious fruit.

 

______________________
Susan Jensen Sweeting

Susan Jensen Sweeting is currently working on her first novel. She’s the wife of an aquaponic farmer and the mother of two bona fide adults, but she’s also a massage therapist, an artist, a Scottish fiddler, and an intrepid traveler living in Freeport, Bahamas. She holds a BA in Creative Writing from Antioch University.

13 Sep

Poetry – “Thursday Night” by Zama Madinana

thursday night
by Zama Madinana

a tower of loneliness
stands still in front
of his heart
& only a cold quart of black label
remembers his plight at hideout bar
& its hungry ear ate
all his secrets
on a thursday night
drunk & upset
until he found himself
sunk & burnt
between the glory thighs
of a german tourist
her lips dripping mulberry juices
deeply dipping a poet in her poolside
after an extensive pata pata
to end a poet’s kalahari times

 

___________________
Zama Madinana

Zama Madinana is a South African poet, based in Johannesburg. His work has appeared in The Shallow Tales Review, Stanzas, Africanwriter, Poetry Potion and other literary publications. His poems have been published in Zimbabwe, Nigeria and USA. Zama’s work focuses mainly on love, politics and social issues. In 2021, he won the third prize of Sol Plaatje EU Poetry Award. His poetry chapbook, Water & Lights was also published in June 2021. He has performed his poetry in places like Cape Town, Maputo, and Gaborone.

06 Sep

Poetry – Adam Deutsch

Four Poems by Adam Deutsch

Heme

You just want to be held
up, like a bullet a movie character
embraces between fingers
before dismissing it to the floor,

and want to remain nearby
when a hammer’s done driving.
That hollow slam can be a reason
for living—can be grief that

your life went on, until
a machine lights you up.
A burn through a pipe
and air, cloth and skin

and what’s covered. If
you must arrive, lodge
somewhere, love half your body
given up to a world

you can only compare
to your own radius. This
much deterioration you’d
hold anyone with you through.

And I do not want
a card in response
to this passing.
We’re always dancing

with speculation
in a street. Maybe
it’s blood. It’s lipstick,
a wine-dark crayon

in the sun, our hero
shaped from a candle’s
carcass, cold honey
that’s crystalized. It’s

a healing prism
in January’s frozen waters.
There’s an ornament
on the shelf we made

that will be taken
sooner or later
the way stars take
ice by melting it

and teaching it to run.
Maybe spilling away
feels good, and we should
be careless with our limbs.

Add Salt

Not for flavor
It’s put to pull
on the water

get a body
to a place
with room

for heat
that won’t
vapor off

On the side
of the box
are directions:

wait for a sizzle
that is a note
left on a nightstand

that says
I’ve left you

Baby Chicks

1.
Because the coconut husk bedding
had to dry out for a few in daylight,
and the lamp was red and low
over an open box—I didn’t breathe
then the chicks inside tried,
stretching their days old bodies
toward any place away from the heat.

Each of you got so firm so fast,
and I screamed for my wife
to come in, see a cardboard casket
we made from carelessness
with small life, each one unnamed.

Then the sun set. I dozed in the sound
of replacement hatchling chirps
after we grieved on a drive
back to the feed store, where
the clerks recognized us, and we
told them that we’re not bad people.
He says that this can happen,
that there’s almost nothing to
them. He trusts us with another flock.

We get to know these new four.
We promise them a cool spot.
Each one, in my head, has
the spirit of two birds.

2.
Maybe in these first two weeks
of small fluffy life
the sky isn’t just red bulbs
but a pile of broken glass
we are all able to digest.

Their little song is for what is
discovered under the bedding
and a gift they’re still
too young to do anything with.

They’re supposed to, at least,
hesitate at our still hands, but come close.
A little straw-colored one
burned out just before
today’s sky blued. Legs folded back
like she lounged in our own bed
dressed in clean sheets just last night.

She stays that way, elegant
and golden. She might
have been he, a cockscomb
way deep behind a tiny beak
and eyes that will
never get to erupt.

3.
They’re soft, like a book
soaked in water,
and we’re all mostly fluid
and there’s stagnation.
The small film, the skin
on a surface that gets pulled at
by these baby beaks
to reveal the fresh water.

Man, just a month in,
and what I’m most afraid of
are that four of the chicks
living in my bathtub
are roosters, as feathers grow
from the saddle, their
general size and struts.

We’ve let this world read
our own plumages
all this time, their ways
to interpret a language
without ever looking
to the dictionary.

Occasions on Water

Respect that bass trout,
deep watered who pulled
at the lines in the lake,
got the whole bait,
left nothing of themself
behind, ducks out in the dead docks
in these still starred morning minutes.
Behind a shed. Know golden beds, grape
vine saplings who disguise
as maple leaves.
Believe they’ll be mighty
up a bonfired hill.
Meteors will shower
tonight. They will burn,
dissolve, dust a coat. A meat
sciences laboratory door
stopped open with collection,
the flurry in a so far snowless season.
A library will weather
the soak beyond the walls
down
around it.

________________
Adam Deutsch
adamdeutsch.com

Photo Credit: © ALANNA AIRITAM

Adam Deutsch is the author of a full-length collection, Every Transmission, forthcoming from Fernwood Press in 2023. He has work recently in Poetry International, Thrush, Juked, AMP Magazine, Ping Pong, and Typo, and has a chapbook called Carry On (Elegies). He

teaches in the English Department at Grossmont College and is the publisher of Cooper Dillon Books. He lives with his spouse and child in San Diego, CA.

06 Sep

Fiction: “Blackout” by Zach Murphy

Blackout
by Zach Murphy

My roommate took off right before I lost my job at the pizza place. The only thing he left behind was a note that read, “Moved back home.” If only the unpaid rent had been attached to it. 

I sit at the wobbly kitchen table, gazing at the floating dust particles that you can only see when the sunlight shines in at the perfect angle. Sometimes, you have to convince yourself that they aren’t old skin. 

The air conditioner moans, as if irritated that it has to work so hard. I haven’t left the apartment in four days, for fear that the hellish temperature might melt away my spirit even more. Is a heat wave really a heat wave if it doesn’t end? I gulp down the remainder of my orange juice. The pulp sticks to the side of the glass. It always bothers me when that happens. 

As I stand up to put my head in the freezer. The air conditioner suddenly goes on strike in silent protest, and the refrigerator releases a final gasp. I walk across the room and flip the light switch. Nothing.

There’s a knock at the door. I peer through the peephole. It’s the lady with the beehive hair from across the hall. I crack the door open. 

“Is your power out?” she asks.

“Yes,” I answer. 

“It must be the whole building,” she says.

“Maybe the whole city,” I say.

“The food in your fridge will go bad after four hours,” she says. 

I’d take that information to heart if I had any food in the refrigerator.

“Thanks,” I say as I close the door. 

When the power goes out, it’s amazing how all of your habits remind you that you’re nothing without it. The TV isn’t going to turn on, and your phone isn’t going to charge.

There’s another knock at the door. It’s the guy from downstairs who exclusively wears jorts. “Do you want a new roommate?” he asks.

“What?” 

He nods his head to the left. I glance down the hallway and see a scraggly, black cat with a patch of white fur on its chest.

“It was out lying in the sun,” the guy says. “Looked a bit overheated, so I let it inside.”

Before I can say anything, the cat walks through the doorway and rubs against my leg.

“Catch you later,” the guy says.

I fill up a bowl with some cold water and set it on the floor. The cat dashes over and drinks furiously.

At least water is free, I think to myself. Kind of

I head into my dingy bedroom and grab the coin jar off of my dresser. “This should be enough to get you some food,” I say.

I step out the apartment door and look back at the cat.

“I think I’ll call you Blackout.”

____________
Zach Murphy

Zach Murphy is a Hawaii-born writer with a background in cinema. His stories appear in Reed Magazine, The Coachella Review, Maudlin House, Still Point Arts Quarterly, B O D Y, Ruminate, Wilderness House Literary Review, and Flash: The International Short-Short Story Magazine. His chapbook Tiny Universes (Selcouth Station Press) is available in paperback and ebook. He lives with his wonderful wife, Kelly, in St. Paul, Minnesota.